Pears from Life

Pears from Life

Neocolor II artist crayons on large watercolor Moleskine

Today's painting is actually catching up for yesterday, unless I get in another sketch or something I'm still one day behind. I probably will though. This took me a while since I did the first layer lightly and washed it. The whole page curled up when I did and you can see that original wash in the background that I didn't color over because I liked it - a mix of black, Ultramarine and white layering.

I used the same light green artificial pear for all three views, rotating it to see it at different angles. It's not perfectly symmetrical and I also deliberately let it vary a bit in my rendering, not worrying if I made it a little fatter or shorter. I played with color on all three versions and pushed one way back by fading out the colors with white - which showed up more in the photo than the original. But color adjustments in photos are tricky at best, get one area looking true and some other area will be washed out or too dark or too blue or something.

It's one step more intense than the chalky looking thing in the photo, more like a solid Naples Yellow than a pale grayed beige. The shadows did do that double ring effect too. Values are about right, it just paled out because of what's probably gamut issues.

Oh wow! 200th post! Just noticed that! Yay, been at it a while with this blog. Onward!

Colorful Peach

Colourful Peach

5 x 7" Pastel on Paper

This small painting took me two days and a number of experiments. I used Unison pastels on Canson Mi-Tientes and loved the way the smooth side kept taking layers. There are eight or nine layers on the more detailed areas of the peach. 

One of the hardest fruits to paint is a peach because of the soft pale fuzz over the whole thing. I added that last and sweated over every light stroke,  but succeeded in getting the haze that appeared mostly around the edges in real life. The photos I took enhanced that and paled the entire fruit, but I worked from life right to the end. I changed the colors of background and surface but not the angle.

I got a bit playful with the shadow and liked the way the colors played within it, so decided to leave that more whimsical than literal. The photo's a little off but in person it has some peacock iridescence that I loved seeing. I could have muted it more to get a more realistic effect but decided not to for artistic reasons. So it's one more step away from literal representation. I knew what I needed to do but that pool of color reminded me of completely different subjects and I liked it.

I can always experiment with these. The realist triumph here was the fuzzes, the shadow can be more transparent next time.