Showing posts with label watercolor paper. Show all posts
Showing posts with label watercolor paper. Show all posts

Sunday, April 10, 2016

Purple Flower ends a Visual Journal

Purple Flower botanical, pen and watercolor
3" x 5" Strathmore Visual Journal 140lb Cold Press paper

Well, this is it! The grand finale, a last botanical picked this morning and painted from life. These flowers bloom in great profusion right across the driveway, still on my daughter's land. The scale of the farm never ceases to amaze me, bits I think must be the neighbors' yard turn out to be still more of ours and the longer Spring blooms on, the more I see in these patches of unknown vegetation.

I liked the Strathmore Visual Journal. It has a whimsical lightweight cardboard cover printed with an example sketch and its information, which I didn't tear off but kept as a protector for the sturdy, glossy, heavy brown alligator print board. On the front cover I taped off a picture area, painted it with Daniel Smith Watercolor Primer and did a pen and watercolor rose on it - thus had a reason to keep the glossy whimsical outer cover to protect it.

It's been banged around a bit. I started it in 2011 and filled about a third of it, then left it behind when I moved to San Francisco. When I came back it was out on a bookcase with a few other supplies that hadn't been packed off into the attic. So it went through two moves without me, got handled and kept out and still protected its contents well. It has not yellowed at all, being good watercolor paper. It's 140lb cold press, probably cellulose or it would've listed a cotton or rag percentage, did not mention acid free or buffered but the evidence is there. Most likely because Pacon used a standard decent paper in it. I'll know more in a few years, but it is just as bright as when it was new.

The surface is a bit coarse. Cold Press watercolor paper has a range of textures from very fine grained to texture valleys so deep and large it might as well be listed as Rough. The sizing was just right for my techniques. I prefer not to stretch watercolor paper and to paint on the sized paper as it is. That gives me a little more control and less unwanted blurring when I want sharp edges.

Overall it's a good journal! I may replace it with another one, or get several sizes. The pocket size is very convenient and easy to fill. Big spiral binding did not get mashed or come undone over the years either, a big plus compared to some of them. It's got a double-wire spiral binding, not single wire, also the wire is coated. This is good if you don't want loose wire ends catching your sleeves or skin or scraping pages once they work loose.

Well made, reasonably priced, handy little thing. I'm happy with it and happy with all its contents. The strong paper let me play with a variety of water media and techniques and not one page leaked through to its following image, so that's a big plus for the full strength heavy paper vs. some other journals. 

Not the super quality of a Stillman & Birn journal but this was a good one and I did enjoy it. At its price, it's much easier to relax and just use it as a sketchbook! I've filled it mostly with life studies that I'll use for later reference in paintings.

Monday, March 7, 2016

Bradford Pear and Hyacinth from Life

 Bradford Pear flowerng tree watercolor on paper, 3" x 5"

Hyacinth bud about to bloom, watercolor on paper 3" x 5"

Two pages in my little Strathmore Visual Journal today with Sakura Koi pocket box pan watercolors. I did pencil under them but haven't inked. 

I went out to get my prescription, so while waiting painted the Bradford Pear blooming in the parking lot. I left out most of the rest, buildings and cars and asphalt, in favor of a field and some more distant trees or shrubbery. Brightened the sky too using a cobalt blue hue that I suspect is actually Pthalo Blue from its brightness - albeit Red Shade.

Bradford Pears are an invasive ornamental tree. They bloom copious white blossoms in the spring, leaf out bright and green then in the fall become gorgeous again shading from lemon yellow through oranges to red and even a red-violet. They're a bit small for trees or really large for shrubs, tend to be symmetrical and seed themselves easily. The fruits are tiny and bitter, birds eat them and spread them - and of course they are invasive so they may crowd out native shrubs and trees sometimes. But they are beautiful and still sometimes planted on purpose.

Then once I got home I set out my impulse purchase, a $1 hyacinth in a pot. Most of my life I've seen and been tempted by those springtime racks of flowering little plants, some annuals and others perennials. Usually I didn't have a place to plant it. 

Sometimes I got talked out of it in favor of buying seeds instead that somehow I never followed through on planting, if staying with people who have  a yard. But I'm disabled! The more labor intensive type of gardening is not necessarily the best idea for someone with limited physical activity!

So instead of going overboard on them I bought one little hyacinth and I love it. The color's a nice rich violet-blue and I'm sure it will bloom bright. It may even survive  from year to year the way the many jonquils around here do. Kitten helped me plant it in the patch in the front where I usually sit outside, so I'll enjoy its blooming and maybe for years more see it split and expand providing a complement to the bright yellow jonquils.

Even if it doesn't, it made me happy and I painted it.

A chicken pecked it already so we may have a problem later on - though it will be raining for the next few days so I might be doing more indoor stuff from references. Or cats. It's not like I don't have several beautiful models inside!